Across from us, on the home side, around 11,000 extras wave self-crafted Rogues placards and yell deliriously, as instructed by megaphone-waving assistant director Nilo Otero. We take in a vast arena wrought from 12,000 tons of steel, home (appropriately) to the Pittsburgh Steelers, many of whom are out on the pitch in old-school-Batman black and yellow to portray fictional team The Gotham Rogues. 6 August 2011, and Empire is peering out of the press box nestled high in Pittsburgh’s Heinz Field football stadium. Shouldn’t these things keep spinning indefinitely, or at least until they don’t work anymore? Nolan, it would seem, is committing commercial sacrilege. They don’t do this in Hollywood, do they? Take a massively successful superhero franchise and just finish it. I have to tell you, having finally seen everything strung together a little while ago and seeing that scene, I got a complete lump in my throat.”īut wait. We both knew in our hearts that we were onto something special. “The final scene of The Dark Knight Rises is exactly that scene we talked about then,” says Goyer, speaking to Empire from his LA office almost four years later. He describes the denouement he’s just in one synaptic flash envisioned. But literally the final scene of the film, and of the trilogy. Then, as Goyer recalls (with the caveat that, “Chris may remember this differently”), something suddenly occurs. Besides, how many great second sequels are there anyway? Count them on three fingers. ![]() They discuss a possible new instalment, which Nolan is determined will be the last, although neither can yet see how to top this latest one. ![]() Goyer, who had previously collaborated on Batman Begins, meet for lunch in an LA diner. Two of its creators, Christopher Nolan and co-writer David S. ![]() Autumn 2008, and The Dark Knight has exceeded all expectations, becoming not only the biggest film of the year, but one of the biggest in history.
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